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・ Mariano Marquez
・ Mariano Martinez (entrepreneur)
・ Mariano Martín
・ Mariano Martínez
・ Mariano Arana
・ Mariano Arciero
・ Mariano Argento
・ Mariano Arini
・ Mariano Arista
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Mariano Azuela
・ Mariano Azuela Güitrón
・ Mariano Baino
・ Mariano Bainotti
・ Mariano Balleza
・ Mariano Baptista
・ Mariano Baracetti
・ Mariano Barbacid
・ Mariano Barbaresi
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・ Mariano Bareiro
・ Mariano Barreto
・ Mariano Barroso
・ Mariano Benlliure


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Mariano Azuela : ウィキペディア英語版
Mariano Azuela

Mariano Azuela González (January 1, 1873 – March 1, 1952) was a Mexican author and physician, best known for his fictional stories of the Mexican Revolution of 1910. He wrote novels, works for theatre and literary criticism. He is the first of the "novelists of the Revolution," and he influenced other Mexican novelists of social protest.
Among Azuela's first published writing were some short pieces for the magazine ''Gil Blas Cómico'', where he wrote under the pen name of "Beleño", and his writing published under the heading ''Impresiones de un estudiante'' (''Impressions of a Student'') in 1896. His first novel, ''Maria Luisa'', was written in 1907, followed by ''Los fracasados'' (''The Failures'') in 1908, and ''Mala yerba'' (''Weeds'') in 1909. The theme of his beginning novels are about fate. He wrote of the social life of Mexicans during the Díaz dictatorship. After experiencing the Mexican Revolution first-hand, his writing style became sarcastic and disillusioned. His first novel with the Revolution theme is ''Andrés Pérez, maderista'' in 1911, followed by ''Sin Amor'' (''Without Love'') in 1912, and his most popular, ''Los de abajo'' (''The Underdogs'') in 1915. He continued to write short works and novels influenced by the Revolution. It includes ''El camarada Pantoja'' (''Comrade Pantoja'') in 1937, ''Regina Landa'' in 1939, ''La nueva burguesía'' (''The New Bourgeoisie'') in 1941, and ''La maldición'' (''The Curse'', published posthumously) in 1955. These works mainly depicts the satirical picture of life in post revolutionary Mexico sharply and angrily stigmatizing demagoguery and political intrigue.
==Early Life and Career==

Azuela was born in Lagos de Moreno, Jalisco to a small, but successful rancher, Evaristo Azuela and Paulina Azuela, on January 1, 1873. He grew up in a small farm owned by his father, which later influences the settings in many of his fictional works. He was first admitted to a Catholic seminary at the age of fourteen, but soon abandoned his religious studies. He studied medicine in Guadalajara, Jalisco. He received his M.D. in 1899, practicing medicine first in his home town of Lagos de Moreno, and later, after the Mexican revolution, practiced in Mexico City. In 1900, he married Carmen Rivera, niece of Agustín Rivera, priest and historian of Lagos de Moreno. He went to have five sons and five daughters.
Like most young students, Azuela was opposed to the dictatorship of the Díaz regime. During his days in the Mexican Revolution, Azuela wrote about the war and its impact on Mexico. When Porfirio Díaz was overthrown, Azuela was made Chief of Political Affairs of Lagos de Moreno in 1911 and state Director of Education of Jalisco in 1914 by president Francisco I. Madero. After Madero's assassination, he joined the Constitutionalist cause that sought to restore the rule of law. He traveled with the military forces of Julián Medina, a follower of Pancho Villa, where he served as a field doctor. His participation in the conflict gave him ample material to write ''Los de abajo'' (''The Underdogs'') (1915). He later was forced for a time to emigrate to El Paso, Texas when the counterrevolutionary forces of Victoriano Huerta were temporarily triumphant. It was there that he wrote ''Los de abajo'', which was his first-hand description of combat during the Mexican revolution, based on his experiences in the field. It was first published as a serial in the newspaper "El Paso del Norte" from October 1915 to December 1915. The book did not receive general recognition until 1924, and it was hailed as a novel of the Revolution. ''Los de abajo'' (''The Underdogs'') depicts the futility of the Revolution, the opportunists in power, and the underprivileged majority of his country. He fought for a better Mexico, and he believed the Revolution corrected some injustices, but it has given rise to others equally deplorable.

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